{"id":9162,"date":"2026-07-10T16:29:21","date_gmt":"2026-07-10T14:29:21","guid":{"rendered":"https:\/\/www.aldesweb.org\/the-fabliaux\/"},"modified":"2026-07-10T16:29:24","modified_gmt":"2026-07-10T14:29:24","slug":"the-fabliaux","status":"publish","type":"post","link":"https:\/\/www.aldesweb.org\/en\/the-fabliaux\/","title":{"rendered":"THE FABLIAUX"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1180px + 2em );margin-left: calc(-2em \/ 2 );margin-right: calc(-2em \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:1em;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1em;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1em;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1em;--awb-spacing-left-medium:1em;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1em;--awb-spacing-left-small:1em;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-five\" style=\"--awb-margin-top-small:0px;--awb-margin-right-small:0px;--awb-margin-bottom-small:0px;--awb-margin-left-small:0px;\"><h5 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:14.3;--minFontSize:14.3;line-height:1.5;\"><p><em>as part of the 7th edition of TEMPI MODERNI \u2013 performances in the courtyards of Capannori (LU)<\/em><\/p>\n<p><strong>July 21, 2026<\/strong> &#8211; San Giusto di Compito, Community Garden<br \/>\n<strong>July 22, 2026<\/strong> &#8211; Carraia, Corte Parenti<br \/>\n<strong>July 23, 2026<\/strong> &#8211; Lunata, Private Garden<br \/>\n<strong>July 28, 2026<\/strong> &#8211; Marlia, Corte Bagnatori<br \/>\n<strong>July 29, 2026<\/strong> &#8211; Santa Margherita, Corte Luporini<br \/>\n<strong>July 30, 2026<\/strong> &#8211; Cantignano Abbey, Cortaccia<\/p>\n<p><strong>SHOWS START AT 9:00 PM | FREE ADMISSION<\/strong><br \/>\n&gt;  The public is invited to contribute basic necessities, which will be collected by Caritas volunteers<\/p><\/h5><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:2em;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:calc( 1180px + 2em );margin-left: calc(-2em \/ 2 );margin-right: calc(-2em \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:1em;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1em;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1em;--awb-spacing-left-medium:1em;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1em;--awb-spacing-left-small:1em;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1920\" height=\"1280\" title=\"I FABLIAUX_Ph_i NUOVi SCALZi -Troubleyn Jan Fabre 169_sito\" src=\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg\" data-orig-src=\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg\" alt class=\"lazyload img-responsive wp-image-9136\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271920%27%20height%3D%271280%27%20viewBox%3D%270%200%201920%201280%27%3E%3Crect%20width%3D%271920%27%20height%3D%271280%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito-200x133.jpg 200w, https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito-400x267.jpg 400w, https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito-600x400.jpg 600w, https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito-800x533.jpg 800w, https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito-1200x800.jpg 1200w, https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg 1920w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 800px) 100vw, (max-width: 640px) 100vw, 600px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-1 credits grey\" style=\"--awb-text-transform:none;\"><p>I FABLIAUX. Photo: i NUOVi SCALZi &#8211; Troubleyn Jan Fabre<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:1em;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1em;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1em;--awb-spacing-left-medium:1em;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1em;--awb-spacing-left-small:1em;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2\" style=\"--awb-text-transform:none;\"><p><strong>I FABLIAUX<br \/>\n: A theatrical rhapsody for a single actor, spanning the Middle Ages and the contemporary era<\/strong><\/p>\n<p>Directed by Savino Maria Italiano<br \/>\n, starring Pietro Quadrino<br \/>\n, co-created by Pietro Quadrino and Savino Maria Italiano<br \/>\n, produced by I Nuovi Scalzi<br \/>\n, recommended for ages 16 and up<br \/>\n, with support from the Ministry of Culture as part of the Boarding Pass Plus 2024 and Boarding Pass Plus 2025\u20132027 programs.<\/p>\n<p><em>*I Fabliaux \u2013 Rhapsody for One Actor*<\/em> is a theatrical rhapsody for a single performer that weaves together physical theater, storytelling, clowning, and commedia dell\u2019arte. Drawing inspiration from medieval <em>fabliaux<\/em> \u2014the precursors to the Decameron\u2014the performance spans the centuries to examine the present, giving life to a grotesque, ironic, and deeply contemporary tale.<br \/>\nThrough a lively and flexible dramaturgy and a direct relationship with the audience, each performance is rewritten in dialogue with the space, the audience, and the context in which it takes place, transforming every performance into a one-of-a-kind theatrical experience. <\/p>\n<p>_______<\/p>\n<p>The show was developed through artist residencies in Italy, Belgium, and France.<br \/>\nWe would like to thank the following for their support of the research and creation process: Troubleyn\/Jan Fabre \u2013 Antwerp, AIDAS \u2013 Acad\u00e9mie Internationale des Arts du Spectacle in Versailles, the City of Barletta, and Gonzalo Alarc\u00f3n.<br \/>\nPremiered at the Le Mois Moli\u00e8re Festival in Versailles, the Festival d\u2019Avignon Off 2024, the Laboratorium Troubleyn in Antwerp, and the Italian Cultural Institute in Paris.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:1em;margin-bottom:2em;width:100%;\"><div class=\"fusion-separator-border sep-single\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#000000;border-top-width:1px;\"><\/div><\/div><div class=\"fusion-text fusion-text-3\" style=\"--awb-text-transform:none;\"><p>The theater company I Nuovi Scalzi was officially founded in 2011, with its registered office in Barletta.<br \/>\nThe members\u2019 artistic exploration has been refined through their work with artists such as Claudio De Maglio, Pierre Byland, Carlo Boso, Emma Dante, Michelangelo Campanale, Giorgio Rossi, and many others.<br \/>\nThe company performs physical and visual theater using the expressive language of masks, contemporary circus, and the performing arts.<br \/>\nAmong the various awards received: \u201cBest Production\u201d (for \u201cLa Ridiculosa commedia della terra contesa\u201d) at the 7th Mont Laurier International Festival (Canada); \u201cBest Acting\u201d special mention at the DOIT 2015 Festival, Rome (Italy); \u201cBest Production,\u201d \u201cBest Leading Actress,\u201d and \u201cBest Supporting Actor\u201d at the 1st Sharm El Sheikh International Theater Festival for Youth (Egypt); \u201cBest Performance\u201d at the 14th ProContra International Festival in Szczecin (Poland).<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:1em;margin-bottom:2em;width:100%;\"><div class=\"fusion-separator-border sep-single\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#000000;border-top-width:1px;\"><\/div><\/div><div class=\"fusion-text fusion-text-4\" style=\"--awb-text-transform:none;\"><p><strong>PLACES<\/strong><br \/>\n<em>(Click on the name of the court or location to view its location on Google Maps)<\/em><\/p>\n<p><a href=\"https:\/\/maps.app.goo.gl\/EDtuQRg1s5PrMHjPA\">Community Garden<\/a>, Via di Sant\u2019Andrea 1, San Giusto di Compito<br \/>\nCorte Parenti, Via del Blocco 29, Carraia<br \/>\nPrivate Garden, Via Giuseppe Pieraccini 37\/A, Lunata<br \/>\nCorte Bagnatori, Via del Giardinetto 81, Marlia<br \/>\n<a href=\"https:\/\/maps.app.goo.gl\/baLn9sXj11M5dzVs9\">Corte Luporini<\/a>, 9 Via dei Luporini, Santa Margherita<br \/>\n<a href=\"https:\/\/goo.gl\/maps\/LPW75GFYvgPPa9PF9\">Cortaccia<\/a>, Strada Comunale di Vorno 58-66, Badia di Cantignano<br \/>\n___<br \/>\n<em><strong>Note: Please park outside the courtyards, following any on-site signs.<\/strong><\/em><\/p>\n<p>_____________________<\/p>\n<p><strong>For more information<\/strong><br \/>\n<a href=\"mailto:info@spamweb.it\">info@spamweb.it<\/a><br \/>\nCell: 3483213503 \/ 3483213504<br \/>\n<a href=\"https:\/\/www.facebook.com\/spamreteperlearticontemporanee\">FB &#8211; spamreteperlearticontemporanee<\/a><br \/>\n<a href=\"https:\/\/www.instagram.com\/spamreteperlearticontemporanee\/\">IG &#8211; spam network for contemporary art<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":9136,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,148],"tags":[150,149,151],"class_list":["post-9162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-local-projects","category-modern-times-2026","tag-dance","tag-music","tag-theater"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE FABLIAUX - ALDES | SPAM!<\/title>\n<meta name=\"description\" content=\"THAT WAS ALL IT TOOK, STATION MASTER Ambra Senatore\u2019s creations are instantly recognizable: they feature a constant interplay between the realms of reality and fiction\u2014between which a playful discrepancy arises\u2014and a profound, deeply human focus on relationships and everyday actions. Her dance is full of surprises, capable of connecting with the audience and penetrating the deepest recesses of the human soul. After numerous group projects, Ambra Senatore returns, with the interactive piece *Bastava farlo capostazione*, to the solo work that marked her debut as a choreographer: a performance dedicated to the Other, moving between improvisation and interaction with the audience.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aldesweb.org\/en\/the-fabliaux\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE FABLIAUX - ALDES | SPAM!\" \/>\n<meta property=\"og:description\" content=\"THAT WAS ALL IT TOOK, STATION MASTER Ambra Senatore\u2019s creations are instantly recognizable: they feature a constant interplay between the realms of reality and fiction\u2014between which a playful discrepancy arises\u2014and a profound, deeply human focus on relationships and everyday actions. Her dance is full of surprises, capable of connecting with the audience and penetrating the deepest recesses of the human soul. After numerous group projects, Ambra Senatore returns, with the interactive piece *Bastava farlo capostazione*, to the solo work that marked her debut as a choreographer: a performance dedicated to the Other, moving between improvisation and interaction with the audience.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aldesweb.org\/en\/the-fabliaux\/\" \/>\n<meta property=\"og:site_name\" content=\"ALDES | SPAM!\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ALDESdanza\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-10T14:29:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-10T14:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2026\/07\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alessandra Moretti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@ALDES_danza\" \/>\n<meta name=\"twitter:site\" content=\"@ALDES_danza\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alessandra Moretti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/\"},\"author\":{\"name\":\"Alessandra Moretti\",\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/#\\\/schema\\\/person\\\/04aa0095ef4aa9e4375a593b410fbd15\"},\"headline\":\"THE FABLIAUX\",\"datePublished\":\"2026-07-10T14:29:21+00:00\",\"dateModified\":\"2026-07-10T14:29:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/\"},\"wordCount\":2821,\"publisher\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.aldesweb.org\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg\",\"keywords\":[\"dance\",\"music\",\"theater\"],\"articleSection\":[\"local projects\",\"Modern Times 2026\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/\",\"url\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/\",\"name\":\"THE FABLIAUX - ALDES | SPAM!\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/the-fabliaux\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.aldesweb.org\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg\",\"datePublished\":\"2026-07-10T14:29:21+00:00\",\"dateModified\":\"2026-07-10T14:29:24+00:00\",\"description\":\"THAT WAS ALL IT TOOK, STATION MASTER Ambra Senatore\u2019s creations are instantly recognizable: they feature a constant interplay between the realms of reality and fiction\u2014between which a playful discrepancy arises\u2014and a profound, deeply human focus on relationships and everyday actions. 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