{"id":1807,"date":"2020-11-10T14:40:43","date_gmt":"2020-11-10T14:40:43","guid":{"rendered":"https:\/\/www.aldesweb.org\/home\/"},"modified":"2025-09-24T14:37:21","modified_gmt":"2025-09-24T12:37:21","slug":"home","status":"publish","type":"page","link":"https:\/\/www.aldesweb.org\/en\/","title":{"rendered":"home"},"content":{"rendered":"

IL SESSO DEGLI ANGELI, the new choreographic work by ROBERTO CASTELLO<\/h5><\/div>
\"IL<\/a><\/span><\/div>

IL SESSO DEGLI ANGELI<\/strong><\/a> (THE SEX OF THE ANGELS<\/em>) debuts, the new choreographic work by Roberto Castello<\/strong>, created with Ilenia Romano<\/strong> and Erica Bravini<\/strong>.<\/p>\n

The studies will be presented at SPAM!, Porcari (LU)<\/strong>, on 11, 12 and 13 December<\/strong>. The debut<\/strong> will instead be on Friday 31 January 2025 in Rome<\/strong> at\u00a0 In Levare \/Teatro Palladium<\/a><\/strong>, Roma<\/strong>.<\/p>\n

Next dates:
\n7-8\/03\/2025<\/strong> CANGO Cantieri Goldonetta \/ La democrazia del corpo 2025, Firenze IT
\n06\/05\/2025<\/strong> AZIONI in DANZA, Chiesa di S. Antonio, Barletta IT
\n27\/09\/2025<\/strong> (7pm) SpazioK\u00f6rper, Napoli IT
\n16\/10\/2025<\/strong> Spazio Rossellini, Roma IT
\n11\/12\/2025<\/strong>\u00a0al Teatro Cartiera, Rovereto (TN)
\n– other dates to be defined –<\/em><\/p>\n<\/div>

<\/div><\/div><\/div><\/div>
ADVANCED TRAINING COURSE FOR AUTHORS OF THEATRE AND CONTEMPORARY DANCE<\/h5><\/div>
\"Corso<\/a><\/span><\/div>

The course is aimed at young artists who have already completed a training as dancers, actors, or performers and intend to direct themselves towards theatrical authorship with a structurally transdisciplinary approach, where every form of expression is potentially usable in the creation of a work. The purpose of the course, coordinated by Roberto Castello, is to bring together motivated young people and offer them the opportunity to study with internationally wellknown artists. This includes laboratories dedicated to the study of movement, expressiveness, rhythm, voice, singing, seminars on 20th Century Theatre and Visual Arts, Postcolonial Dynamics, and Elements of Performance Law.
\nThe intent is to form a group of curious, nonconformist, consistent, and rigorous artists, aware of their function and social responsibility, and masters of their own opinions and choices.
\nThe course will end with a public presentation of the most interesting works created by each participant. The best among these will be invited to the 2026 edition of the Visav\u00ec Festival.<\/p>\n

course curated by Roberto Castello<\/strong>
\nwith Alessandra Cristiani, Nora Guazzotti, Alessandro Romanini, Alessandro Giovanni Bertinetto, Charles Raszl, Filippo Balestra, Stefano Giannotti, Andrea Cosentino, Panzetti E Ticconi, Rodolfo Sacchettini, Ydio Chichava, Marco Zanotti, Jonathan Burrows, Ernesto Edivaldo<\/strong><\/p>\n

https:\/\/pnrr.artistiassociatigorizia.it\/en\/danza2025<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
INFERNO<\/h5><\/div>
\"INFERNO,<\/a><\/span><\/div>

next date
\n5\/10\/2025 Fabbrica Europa, Firenze > INFERNO A PEZZI<\/strong>
\nAs the title suggests, in the version that Roberto Castello brings to the stage at Fabbrica Europa<\/a>, Inferno will be broken into pieces: INFERNO a pezzi #1, INFERNO a pezzi #2, INFERNO a pezzi #3. Highlighting the work of the performers, it will be presented just as it was created in the rehearsal room\u2014the setting in which the choreographies exist in their optimal condition.<\/p>\n

info to INFERNO A PEZZI \/ Firenze
\nhttps:\/\/fabbricaeuropa.net\/en\/events\/roberto-castello-inferno-a-pezzi<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div>

Soir\u00e9e d\u2019enfer au Th\u00e9\u00e2tre de la Ville ! \u2013\u00a0<\/em>\u201c\u2026Inferno est une \u00ab pi\u00e8ce \u00e9puisante \u00bb et le \u00ab rythme est infernal \u00bb comme son nom l\u2019indique. (\u2026) ils sont infatigables. Et en plus ils sont s\u00e9duisants et d\u00e9gagent un sex-appeal incontestable, car Inferno c\u2019est avant tout un jeu de s\u00e9duction. <\/em>(\u2026) Nous avons donc assist\u00e9 \u00e0 une danse des \u00e9gos color\u00e9e et divertissante mais surtout \u00ab emplie de joie de vivre \u00bb avec des danseurs incroyables.\u201d\u00a0<\/em>
\n<\/em>Marie Gracia – Classyk\u00eao<\/a>
\n<\/em><\/p>\n

\n

\u201c\u2026Castello geht es um Selbst- und Fremdoptimierung, um die H\u00f6lle im Allt\u00e4glichen. Dass er dabei auf Wiederholung setzt, bringt das sprichw\u00f6rtlich qu\u00e4lende \u201eHamsterrad\u201c zum Ausdruck, zur Perfektion getrieben, wird sein \u201eInferno<\/em>\u201c dagegen zum Vergn\u00fcgen. Allzu gern sieht man diesen energiegeladenen Bewegungsk\u00fcnstlern zu, wenn ihnen die Elektro-Beats wie Stromst\u00f6\u00dfe durch die Glieder fahren. Eine wabernde Masse, die den Sound gekonnt in Tanz \u00fcbersetzt, und das ist auch gut so, schlie\u00dflich geh\u00f6rt es zur Profession, dass sich Tanzk\u00fcnstler bis an die Spitze treiben. Gro\u00dfer Applaus des Publikums im Pumpenhaus.\u201d
\n<\/em>Isabel Steinb\u00f6ck – Westf\u00e4lische Nachrichten<\/a><\/p>\n<\/div>\n

\u201c\u2026Castello proves himself unwavering in his belief, consistently sarcastic and anarchical and abetted by an excellent group of four female and two bearded and long-haired male dancers, each possessing his or her own particular character and physicality, alongside a mistress of ceremonies, Alessandra Moretti, expressing herself in a discourse on art in pseudo-Brazilian.
\n(\u2026) Then it is time for the infernal \u2018truth\u2019, an extended dance, full of energy, a jubilant saraband of great virtuosity, deliberately excessive both in intensity and duration, like those who have literally been possessed by the Devil. Castello\u2019s fascination with the tradition of African movement, tackled in his previous Mbira<\/em><\/a>, here brims over in breath-taking rhythmic mastery; the sounds are techno, jazz and folk\u2026\u201d
\nElisa Guzzo Vaccarino – BALLET2000 English ed. n.290<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI on TOUR<\/h5><\/div>
\"IN<\/a><\/span><\/div>

IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI<\/a><\/strong>, by Roberto Castello <\/strong>next dates:<\/p>\n

24\/01\/2024<\/strong> Teatro Bonci \/ ERT<\/a>, Cesena (IT)
\n24\/03\/2024<\/strong> Teatro SOMS<\/a> \/ PDV, Racconigi TO (IT)
\n26\/03\/2024<\/strong> Teatro Toselli \/ PDV<\/a>, Cuneo<\/p>\n<\/div><\/div><\/div>

\u201c\u2026 a total work of art that you can not escape \u2026\u201d<\/em>
\nVon Helmut Jasny. Westfalische Nachrichten, Germany<\/strong><\/p>\n

\u201cThe show is a shock. Look for it at all costs! \u2026\u201d<\/em>
\nThomas Hann. DANSER Canal historique, France<\/strong><\/p>\n

\u201c\u2026 a dancing masterpiece\u2026\u201d<\/em>
\nRodolfo di Gianmarco. La Repubblica, Italy<\/strong><\/p>\n

\u201cA fascinating interplay of space, time and movement.\u201d
\nKerstin Hergt. Hannoversche Allgemeine, Germany<\/strong><\/em><\/p>\n

\u201c\u2026 one hour of exceptional dance theatre between video art and electronic avant-garde.\u201d
\nGiulia Sanzone. Che teatro fa, Italy<\/strong><\/p>\n

\u201c\u2026 It is impossible not to be overwhelmed by In Girum Imus Nocte\u2019s infectious patrol\u201d
\nAttilio Scarpellini. Doppiozero, Italy<\/strong><\/p>\n

\u201c\u2026a wonderful choreographic machine\u2026\u201d<\/em>
\nGiuseppe Distefano. Il sole 24 ore, Italy<\/strong><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
THE ITALIAN VERSION OF “TOMORROW’S PARTIES” DEBUTS AT THE ROMAEUROPA FESTIVAL<\/h5><\/div>
\"TOMORROW'S<\/a><\/span><\/div>

Founded and led by Tim Etchells<\/strong>, the historic Forced Entertainment<\/strong> company has gained attention for its extraordinary work on contemporary British drama. Among its most acclaimed plays is certainly Tomorrow\u2019s Parties<\/a><\/strong><\/em>, a snapshot of the hopes and fears of an entire era. This is perhaps why, more than a decade after the play\u2019s debut, Roberto Castello<\/strong> and Robin Arthur<\/strong> (among the company members) with the production of ALDES<\/strong> decided to translate and remount it<\/a> (for the first time, not in the original language) to make it accessible to Italian audiences as well without the obstacle of subtitles.<\/p>\n

web page (it) of the show ‘Italian version’: www.aldesweb.org\/produzioni\/tomorrows-parties-versione-italiana<\/a><\/p>\n

Premi\u00e8re<\/em>
\n<\/strong>3-4-5\/11\/2023 Mattatoio \/ Romaeuropa Festival<\/a>
\n<\/strong>03\/11 \u2013 9pm
\n04\/11 \u2013 9pm
\n05\/11 \u2013 7pm<\/p>\n

next dates<\/strong><\/em>
\n09\/11\/2023 Teatro Bolognini \/ Teatri di Pistoia<\/a>, Pistoia
\n13\/11\/2023 Teatro Toselli \/ PDV<\/a>, Cuneo
\n14\/11\/2023 Teatro Magnetti \/ PDV<\/a>, Ciri\u00e9 TO
\n18\/11\/2023 Citt\u00e0 delle 100 Scale Festival<\/a>, Potenza
\n16\/02\/2024 Teatro Niccolini \/ FTS, San Casciano FI
\n17\/02\/2024 Teatro Mascagni \/ FTS, Chiusi SI
\n04\/04\/2024 Teatro Boiardo \/ ATER, Scandiano RE
\n13\/04\/2024 Palamostre \u2013 Sala Carmelo Bene \/ CSS<\/a>, Udine
\n14\/04\/2024 Palamostre \u2013 Sala Carmelo Bene \/ CSS<\/a>, Udine
\n23-24\/04\/2024 Teatro della Tosse<\/a>, sala Campana, Genova<\/p>\n<\/div>

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IN GIRUM… and INFERNO in Paris \/ Th\u00e9\u00e2tre de La Ville<\/h5><\/div>
\"INFERNO<\/a><\/span><\/div>

We are pleased to announce that next June we will present\u00a0INFERNO<\/a>, <\/strong>Ubu Award – Best Italian Dance Show 2022<\/em>, and IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI<\/a><\/strong>, by Roberto Castello<\/strong>, at\u00a0Th\u00e9\u00e2tre de La Ville – Les Abesses <\/strong>in Paris<\/strong>, in the frame of Chantiers d’Europe<\/em>.<\/p>\n

INFERNO<\/strong>
\n6-7\/06<\/strong> (8pm) – Th\u00e9\u00e2tre des Abbesses
\nhttps:\/\/www.theatredelaville-paris.com\/fr\/spectacles\/saison-2022-2023\/danse\/inferno<\/a><\/p>\n

IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI<\/strong>
\n9-10\/06<\/strong> (8pm) – Th\u00e9\u00e2tre des Abbesses
\nhttps:\/\/www.theatredelaville-paris.com\/fr\/spectacles\/saison-2022-2023\/danse\/in-girum-imus-nocte-et-consumimur-igni<\/a><\/p>\n

______________________________<\/p>\n


\nINFERNO NEXT DATES:<\/strong>
\n02\/09\/2023<\/strong> NID Platform<\/a>, Teatro Massimo, Cagliari (IT)
\n13\/10\/2023<\/strong> Teatro Ventidio Basso, Ascoli Piceno (IT)
\n14\/12\/2023<\/strong> Teatro Manzoni<\/a>, Pistoia (IT)
\n12\/01\/2024<\/strong> Teatro Menotti<\/a> \/ TSU \u2013 Teatro Stabile dell\u2019Umbria, Spoleto (IT)
\n12\/10\/2024<\/strong> Teatro Goldoni \/ FABBRICA EUROPA<\/a>, Firenze (IT)
\n16\/10\/2024<\/strong> Teatro Sociale<\/a>, Trento (IT)<\/p>\n

IN GIRUM… NEXT DATES:
\n01\/12\/2023 <\/strong>Terrestri \/ Teatro Astra<\/a>, Vicenza
\n24\/01\/2024<\/strong> Teatro Bonci \/ ERT<\/a>, Cesena (IT)
\n24\/03\/2024<\/strong> Teatro SOMS<\/a> \/ PDV, Racconigi TO (IT)
\n26\/03\/2024<\/strong> Teatro Toselli \/ PDV<\/a>, Cuneo<\/p>\n<\/div>

\"IN<\/a><\/span><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
INFERNO: UBU Award 2022 \u2013 Best Dance Show<\/h5><\/div>

12\/12\/22, INFERNO<\/a><\/strong> by Roberto Castello in collaboration with Alessandra Moretti wins the Ubu Prize 2022 \/ Best Dance Show<\/strong>.<\/p>\n

“…Castello proves himself unwavering in his belief, consistently sarcastic and anarchical and abetted by an excellent group of four female and two bearded and long-haired male dancers, each possessing his or her own particular character and physicality, alongside a mistress of ceremonies, Alessandra Moretti, expressing herself in a discourse on art in pseudo-Brazilian.
\n(…) Then it is time for the infernal \u2018truth\u2019, an extended dance, full of energy, a jubilant saraband of great virtuosity, deliberately excessive both in intensity and duration, like those who have literally been possessed by the Devil. Castello\u2019s fascination with the tradition of African movement, tackled in his previous Mbira, here brims over in breath-taking rhythmic mastery; the sounds are techno, jazz and folk…”
\nElisa Guzzo Vaccarino –\u00a0 BALLET2000 ed. English n290<\/a> – 2022<\/strong><\/p>\n

\u201c[\u2026] the choreography is aggressive and captivating, evolving from some poses of apathetic dullness into aggressive visions and pure pleasure (the physical difficulty is as evident as effective). This Inferno<\/strong><\/a> almost becomes a choice of lifestyle, vitality and pleasure\u2026\u201d
\nGianfranco Capitta – il manifesto<\/a> – 20\/11\/21<\/strong><\/p>\n<\/div>

\"INFERNO,<\/a><\/span><\/div><\/div><\/div>
The recently published book “Nel migliore dei mondi possibili” (In the best of all possible worlds), on the career of Roberto Castello<\/h5><\/div>
\"Copertina<\/a><\/span><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-1807","page","type-page","status-publish","hentry"],"yoast_head":"\nhome - ALDES | SPAM!<\/title>\n<meta name=\"description\" content=\"Inferno, In Girum..., Il sesso degli angeli\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aldesweb.org\/en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"home - ALDES | SPAM!\" \/>\n<meta property=\"og:description\" content=\"Inferno, In Girum..., Il sesso degli angeli\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aldesweb.org\/en\/\" \/>\n<meta property=\"og:site_name\" content=\"ALDES | SPAM!\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ALDESdanza\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-24T12:37:21+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ALDES_danza\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/\",\"url\":\"https:\\\/\\\/www.aldesweb.org\\\/en\\\/\",\"name\":\"home - 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