IL SESSO DEGLI ANGELI<\/h2><\/div>2025<\/h4><\/div><\/div><\/div><\/div><\/div>![\"IL](\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2024\/08\/IL-SESSO-DEGLI-ANGELI-ph-Massimo-Bianchini_0186_m.jpg\")
<\/a><\/span><\/div>IL SESSO DEGLI ANGELI by R. Castello. With Erica Bravini, Ilenia Romano. Photo by Massimo Bianchini<\/p>\n<\/div><\/div><\/div>
\nPremiere: <\/strong><\/em>31\/01\/2025 <\/strong>(h20.30) In Levare \/Teatro Palladium<\/a>, Roma IT
\n______________<\/p>\n<\/div>choreography, direction, music Roberto Castello
\ndance Erica Bravini, Ilenia Romano
\nproduction ALDES
\nwith the support of MIC \u2013 Ministero della Cultura, Regione Toscana \/ Sistema Regionale dello Spettacolo<\/p>\n<\/div>
In Italian, the expression \u201cparlare del sesso degli angeli\u201d means to talk about nothing, about useless issues, something that many do to avoid expressing themselves on uncomfortable issues.<\/p>\n
There is no denying that the initial intention of \u201cIl sesso degli angeli\u201d (\u201cThe Sex of the Angels\u201d) was to find humour in the inclination of the theatrical world – normally so unrestrained in its moral teachings – to retreat into prudent silences and tactical repositioning in the most politically delicate moments. Once rehearsals began, however, the caustic approach began to diminish, while recollections of years past began to emerge, of times when, amidst avant-gardism, poor theatre and oriental influences, many searched for the expressive power of bodies in their absolute, naked presence. A desire for the centrality of the human that, combining politics, mysticism, philosophy and psychoanalysis, answered questions from another era, but which perhaps also makes sense again in today\u2019s world, where many seem resigned to the paradox that only technologies, the market, artificial intelligence and migration to Mars can, perhaps, save us.<\/p>\n
But, although these are certainly the thoughts behind the performance, \u201cThe Sex of Angels\u201d, in keeping with its title, has no subject matter. It merely presents a rough stage with two performers who, with absolute dedication, perform an asymmetrical, whimsical, at times disarming score, which in the end may allow something ascribable to the angelic dimension to shine through.<\/p>\n
(Roberto Castello)<\/p>\n<\/div><\/div><\/div><\/div><\/div>
![\"IL](\"https:\/\/www.aldesweb.org\/wp-content\/uploads\/2024\/08\/ISDA_ph-Paolo-Porto_8972_m-crop-320x202.jpg\" "\\"ISDA_ph-Paolo-Porto_8972_m")
<\/a><\/div><\/div>
2025<\/h4><\/div><\/div><\/div><\/div><\/div><\/a><\/span><\/div>IL SESSO DEGLI ANGELI by R. Castello. With Erica Bravini, Ilenia Romano. Photo by Massimo Bianchini<\/p>\n<\/div><\/div><\/div>
\nPremiere: <\/strong><\/em>31\/01\/2025 <\/strong>(h20.30) In Levare \/Teatro Palladium<\/a>, Roma IT
\n______________<\/p>\n<\/div>choreography, direction, music Roberto Castello
\ndance Erica Bravini, Ilenia Romano
\nproduction ALDES
\nwith the support of MIC \u2013 Ministero della Cultura, Regione Toscana \/ Sistema Regionale dello Spettacolo<\/p>\n<\/div>
In Italian, the expression \u201cparlare del sesso degli angeli\u201d means to talk about nothing, about useless issues, something that many do to avoid expressing themselves on uncomfortable issues.<\/p>\n
There is no denying that the initial intention of \u201cIl sesso degli angeli\u201d (\u201cThe Sex of the Angels\u201d) was to find humour in the inclination of the theatrical world – normally so unrestrained in its moral teachings – to retreat into prudent silences and tactical repositioning in the most politically delicate moments. Once rehearsals began, however, the caustic approach began to diminish, while recollections of years past began to emerge, of times when, amidst avant-gardism, poor theatre and oriental influences, many searched for the expressive power of bodies in their absolute, naked presence. A desire for the centrality of the human that, combining politics, mysticism, philosophy and psychoanalysis, answered questions from another era, but which perhaps also makes sense again in today\u2019s world, where many seem resigned to the paradox that only technologies, the market, artificial intelligence and migration to Mars can, perhaps, save us.<\/p>\n
But, although these are certainly the thoughts behind the performance, \u201cThe Sex of Angels\u201d, in keeping with its title, has no subject matter. It merely presents a rough stage with two performers who, with absolute dedication, perform an asymmetrical, whimsical, at times disarming score, which in the end may allow something ascribable to the angelic dimension to shine through.<\/p>\n
(Roberto Castello)<\/p>\n<\/div><\/div><\/div><\/div><\/div>
<\/a><\/div><\/div>
<\/a><\/span><\/div>IL SESSO DEGLI ANGELI by R. Castello. With Erica Bravini, Ilenia Romano. Photo by Massimo Bianchini<\/p>\n<\/div><\/div><\/div>
choreography, direction, music Roberto Castello In Italian, the expression \u201cparlare del sesso degli angeli\u201d means to talk about nothing, about useless issues, something that many do to avoid expressing themselves on uncomfortable issues.<\/p>\n There is no denying that the initial intention of \u201cIl sesso degli angeli\u201d (\u201cThe Sex of the Angels\u201d) was to find humour in the inclination of the theatrical world – normally so unrestrained in its moral teachings – to retreat into prudent silences and tactical repositioning in the most politically delicate moments. Once rehearsals began, however, the caustic approach began to diminish, while recollections of years past began to emerge, of times when, amidst avant-gardism, poor theatre and oriental influences, many searched for the expressive power of bodies in their absolute, naked presence. A desire for the centrality of the human that, combining politics, mysticism, philosophy and psychoanalysis, answered questions from another era, but which perhaps also makes sense again in today\u2019s world, where many seem resigned to the paradox that only technologies, the market, artificial intelligence and migration to Mars can, perhaps, save us.<\/p>\n But, although these are certainly the thoughts behind the performance, \u201cThe Sex of Angels\u201d, in keeping with its title, has no subject matter. It merely presents a rough stage with two performers who, with absolute dedication, perform an asymmetrical, whimsical, at times disarming score, which in the end may allow something ascribable to the angelic dimension to shine through.<\/p>\n (Roberto Castello)<\/p>\n<\/div><\/div><\/div><\/div><\/div>
\nPremiere: <\/strong><\/em>31\/01\/2025 <\/strong>(h20.30) In Levare \/Teatro Palladium<\/a>, Roma IT
\n______________<\/p>\n<\/div>
\ndance Erica Bravini, Ilenia Romano
\nproduction ALDES
\nwith the support of MIC \u2013 Ministero della Cultura, Regione Toscana \/ Sistema Regionale dello Spettacolo<\/p>\n<\/div><\/a><\/div><\/div>