{"id":3229,"date":"2015-12-20T17:38:03","date_gmt":"2015-12-20T16:38:03","guid":{"rendered":"https:\/\/www.aldesweb.org\/produzioni\/trattato-di-economia\/"},"modified":"2021-09-23T15:54:41","modified_gmt":"2021-09-23T13:54:41","slug":"trattato-di-economia","status":"publish","type":"avada_portfolio","link":"https:\/\/www.aldesweb.org\/en\/produzioni\/trattato-di-economia\/","title":{"rendered":"TRATTATO DI ECONOMIA"},"content":{"rendered":"

TRATTATO DI ECONOMIA<\/h2><\/div>

coreocabaret on the absurdities of modern economy – 2015<\/h4><\/div><\/div><\/div><\/div><\/div>
\"A.<\/a><\/span><\/div>

R. Castello e A. Cosentino in “Trattato di Economia”, foto di Ilaria Scarpa<\/p>\n<\/div><\/div><\/div>

project, dramaturgy, directing ROBERTO CASTELLO and ANDREA COSENTINO
\ninterpreters ROBERTO CASTELLO, ANDREA COSENTINO
\nassistant ALESSANDRA MORETTI
\ntechnical direction DIEGO CINELLI
\nspecial video-appearance ATTILIO SCARPELLINI
\nprops-set realisation PAOLO MORELLI
\nproduzione ALDES – in collaborazione con Sardegna Teatro
\nwith the support of MIBAC\/Direzione Generale Spettacolo dal vivo, REGIONE TOSCANA\/Sistema Regionale dello Spettacolo
\ntanks GIORGIO ANGELO LAZZARINI<\/p>\n<\/div>

Treaty of economy comes from the encounter of two artists of different generation, environment, formation and artistic path, who discovered by chance to grow the same wish: the one of realizing a performance about the science aiming to free the humanity from the slavery of the need. After more than one year of readings, meetings, doubts, enthusiasms and crisis the project starts taking shape, a structure where economy, art and ethics tangle themselves with paradoxical effects.
\nThe result is a performative project combining word and gesture, questioning about money and its worth, about its invasive omnipresence, and about its substantial lack of relationship with reality.
\nStaying at the margin of the contract in order to reveal its paradoxes, creating boundary situations and unsuitable questions, is the way to take back control, at least symbolically, of what we don\u2019t understand and cannot control, overwhelming it with a liberating laugh.
\nIf it\u2019s the unpleasantness of a work to determine its worth, than is fair not compensating who loves what he does and overpaying who hates it. And if absurdly it was the competence to determine the fee, or more realistically the social class? Ten euros are just the pocket equivalent of ten quintals of gravel or ten kilos of potatoes? Why can I char my potatoes and not destroying a ten euros bill? Is it really mine, my money? The yellow gum ducks are a good investment? And the penis toys? The self-elimination of the more conscious individuals may be the solution of the environmental and economic problems of the planet? And who are the artists. What kind of job is their? What is the purpose of luxury? How can sausages save humanity?
\nThis kind of almost endless amount of questions generates a kindly iconoclast variety show where is proved once more how the confusion and the discouragement are absolutely the most prolific and comical subjects.<\/p>\n<\/div>

TRATTATOdiECONOMIA-recensioni_it.pdf<\/h4><\/a><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
\"Trattato<\/a><\/div><\/div>
\"Trattato<\/a><\/div><\/div>
\"Trattato<\/a><\/div><\/div>
\"A.<\/a><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div>
REVIEW<\/h5><\/div><\/div><\/div>

Valeria Loprieno - Nucleo art-zine - 15\/11\/2015<\/h2><\/div>
<\/div>
\n
\n

\u201cIf we add together the unbridled irony and sagacity of one of the most influential comic actors of the Italian theatre scene and the irreverence and originality of one of the most appreciated contemporary dance choreographers, the result has to be surprising. […] The comparisons between a rubber duck and a rubber phallus follow one another with disarming strength, an overflow of irony and comedy spiced with very serious concepts which, thinking about them as you leave the theatre, are the basis of our daily lives. […] The grandeur of the performance proves to be the juxtaposition of this economic principle with the art world […] In the meantime, you are enveloped in countless references which are more (Jan Fabre, William Forsythe and Pina Bausch) and less (Antonella Clerici) refined […] A perfect work in timing, script and spatial and muscular dynamics, one that must absolutely be seen again and again.\u201d<\/p>\n<\/div>\n<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>
<\/priv-fac-lite-vimeo>
For privacy reasons Vimeo needs your permission to be loaded.<\/div>