{"id":3072,"date":"2021-09-16T13:02:58","date_gmt":"2021-09-16T11:02:58","guid":{"rendered":"https:\/\/www.aldesweb.org\/produzioni\/inferno\/"},"modified":"2026-02-23T16:45:53","modified_gmt":"2026-02-23T15:45:53","slug":"inferno","status":"publish","type":"avada_portfolio","link":"https:\/\/www.aldesweb.org\/en\/produzioni\/inferno\/","title":{"rendered":"INFERNO"},"content":{"rendered":"

INFERNO<\/h2><\/div>

2021<\/h4><\/div><\/div><\/div><\/div><\/div>
\"INFERNO,<\/a><\/span><\/div>

INFERNO, foto di Giovanni Chiarot artefici2021<\/p>\n<\/div><\/div><\/div>

UBU Award 2022 \u2013 Best Dance Show
\n<\/em>_____________________________________<\/p>\n<\/div>

choreography and direction Roberto Castello
\nin collaboration with Alessandra Moretti
\ndance Martina Auddino, Erica Bravini, Riccardo De Simone, Susannah Iheme \/ Sara Capanna, Michael Incarbone \/ Nicola Cisterino, Alessandra Moretti, Giselda Ranieri
\nmusic Marco Zanotti in collaboration with Andrea Taravelli
\nfender rhodes Paolo Pee Wee Durante
\nlights Leonardo Badalassi
\ncostumes Desir\u00e9e Costanzo
\n3D video project Roberto Castello, advised by Enrico Nencini
\naudio mixing Stefano Giannotti
\naudio mastering Jambona Lab
\nthanks to Mohammad Botto and Genito Molava<\/p>\n

production ALDES in partnership with CCN de Nantes, Romaeuropa Festival, Th\u00e9\u00e2tre des 13 vents CDN, Centre Dramatique National Montpellier, Palcoscenico Danza \u2013 Fondazione TPE
\nwith the support of RESISTERE E CREARE by Fondazione Luzzati Teatro della Tosse, ARTEFICI.ResidenzeCreativeFvg \/ ArtistiAssociati
\nwith the support of MIC \/ Direzione Generale Spettacolo, REGIONE TOSCANA \/ Sistema Regionale dello Spettacolo<\/p>\n<\/div>

Hell in Western culture is the place which more than others has inspired preachers,\u00a0 illustrators, painters, sculptors, storytellers, directors, musicians. It is the place of atonement for moral and material faults where the wicked are punished and good triumphs over evil. It is the place of subversion and chaos in the representation of which everything can coexist. However, a depiction of evil as the undisputed kingdom of a sulphurous devil with a tail, horns and pitchfork would be hardly credible today. Hell is here, and it may look a lot like Heaven. It is what pushes us to make every effort to be more attractive, more intelligent, more powerful, more just, stronger, smarter, more responsible, more humble, which pushes us to compete for moral, social, economic and emotional gratifications. Hell is the inevitability of desire, the condemnation of perpetual competition in search of pleasure.
\nHence the idea of a tragedy in the form of comedy – seductive, pleasant, engaging, bright and fun – on the intrusiveness of the ego; both one’s own and others’.<\/p>\n<\/div>

INFERNO-dossier_en.pdf<\/h4><\/a><\/div><\/div><\/div>
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REVIEW<\/h5><\/div><\/div><\/div>

Elisa Guzzo Vaccarino - BALLET2000 English ed. n.290 - 2022<\/h2><\/a><\/div>
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“…Castello proves himself unwavering in his belief, consistently sarcastic and anarchical and abetted by an excellent group of four female and two bearded and long-haired male dancers, each possessing his or her own particular character and physicality, alongside a mistress of ceremonies, Alessandra Moretti, expressing herself in a discourse on art in pseudo-Brazilian.
\n(…) Then it is time for the infernal \u2018truth\u2019, an extended dance, full of energy, a jubilant saraband of great virtuosity, deliberately excessive both in intensity and duration, like those who have literally been possessed by the Devil. Castello\u2019s fascination with the tradition of African movement, tackled in his previous Mbira, here brims over in breath-taking rhythmic mastery; the sounds are techno, jazz and folk…”<\/p>\n<\/div><\/div><\/div>

Gianfranco Capitta - il manifesto - 20\/11\/21<\/h2><\/a><\/div>
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“[\u2026] the choreography is aggressive and captivating, evolving from some poses of apathetic dullness into aggressive visions and pure pleasure (the physical difficulty is as evident as effective). This Inferno almost becomes a choice of lifestyle, vitality and pleasure…”<\/p>\n<\/div><\/div><\/div>

Marie Gracia - Classyk\u00eao - 13\/06\/23<\/h2><\/a><\/div>
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Soir\u00e9e d\u2019enfer au Th\u00e9\u00e2tre de la Ville !<\/em> \u2013 \u201c\u2026Inferno est une \u00ab pi\u00e8ce \u00e9puisante \u00bb et le \u00ab rythme est infernal \u00bb comme son nom l\u2019indique. (\u2026) ils sont infatigables. Et en plus ils sont s\u00e9duisants et d\u00e9gagent un sex-appeal incontestable, car Inferno c\u2019est avant tout un jeu de s\u00e9duction.
\n(\u2026) Nous avons donc assist\u00e9 \u00e0 une danse des \u00e9gos color\u00e9e et divertissante mais surtout \u00ab emplie de joie de vivre \u00bb avec des danseurs incroyables.\u201d<\/p>\n<\/div><\/div><\/div>

Isabel Steinb\u00f6ck - Westf\u00e4lische Nachrichten - 05\/03\/23<\/h2><\/a><\/div>
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\u201c\u2026Castello geht es um Selbst- und Fremdoptimierung, um die H\u00f6lle im Allt\u00e4glichen. Dass er dabei auf Wiederholung setzt, bringt das sprichw\u00f6rtlich qu\u00e4lende \u201eHamsterrad\u201c zum Ausdruck, zur Perfektion getrieben, wird sein \u201eInferno\u201c dagegen zum Vergn\u00fcgen. Allzu gern sieht man diesen energiegeladenen Bewegungsk\u00fcnstlern zu, wenn ihnen die Elektro-Beats wie Stromst\u00f6\u00dfe durch die Glieder fahren. Eine wabernde Masse, die den Sound gekonnt in Tanz \u00fcbersetzt, und das ist auch gut so, schlie\u00dflich geh\u00f6rt es zur Profession, dass sich Tanzk\u00fcnstler bis an die Spitze treiben. Gro\u00dfer Applaus des Publikums im Pumpenhaus.\u201d<\/p>\n<\/div><\/div><\/div>

Andrea Porcheddu - Gli Stati Generali - 14\/11\/21<\/h2><\/a><\/div>
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“…a shining and forcefully happy slaying race…”<\/p>\n<\/div><\/div><\/div>

Lucia Medri - HYSTRIO genn-mar. 22 \/ Cordelia - Teatro e Critica - 10\/12\/21<\/h2><\/a><\/div>
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\u201c…feverish, attractive and playful… [\u2026] …their clean movements, the balanced emphasis of expressiveness, the profanity of posture and the grotesque smirk, amount to an hourly performance which is an irresistible danced pun…\u201d<\/p>\n<\/div><\/div><\/div>

Carlo Lei - KLP - 09\/12\/21<\/h2><\/a><\/div>
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\u201c…an explosive work, arrogant in the increase and virtuosity of danced gestures and yet contextually clear…\u201d<\/p>\n<\/div><\/div><\/div>

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TOUR<\/h5><\/div>

Preview_<\/em>28\/10\/2021\u00a0<\/strong>Visav\u00ec<\/a>, International Dance Festival, Gorizia (IT)
\nPremi\u00e8re_<\/em>12-13\/11\/2021\u00a0 <\/strong>Romaeuropa<\/a> \/ Teatro India, Roma (IT)
\n27\/11\/2021\u00a0 <\/strong>Th\u00e9\u00e2tre des 13 vents<\/a> \u2013 Centre Dramatique National, Montpellier (FR)
\n13\/04\/2022<\/strong>\u00a0 TPE \/ Palcoscenico Danza<\/a>, Torino (IT)
\n14\/04\/2022<\/strong>\u00a0 TPE \/ Palcoscenico Danza<\/a>, Torino (IT)
\n22\/04\/2022<\/strong> Teatro Del Giglio<\/a>, Lucca IT
\n02\/09\/2022<\/strong> Brigittines International Festival<\/a>, Bruxelles (BE)
\n03\/09\/2022<\/strong> Brigittines International Festival<\/a>, Bruxelles (BE)
\n29\/11\/2022<\/strong> Teatro Civico<\/a>, Vercelli (IT)
\n01\/12\/2022<\/strong> Teatro Comunale<\/a>, Ovada AL (IT)
\n03\/12\/2022<\/strong> Teatro Alfieri<\/a>, Asti (IT)
\n03\/03\/2023<\/strong> Theater im Pumpenhaus<\/a>, Munster (D)
\n04\/03\/2023<\/strong> Theater im Pumpenhaus<\/a>, Munster (D)
\n09\/03\/2023<\/strong> Tanzmainz<\/a>, Mainz (DE)
\n10\/03\/2023<\/strong> Tanzmainz<\/a>, Mainz (DE)
\n06\/06\/2023<\/strong> Th\u00e9\u00e2tre de La Ville<\/a> \/ Th\u00e9\u00e2tre des Abbesses, Paris (FR)
\n07\/06\/2023<\/strong> Th\u00e9\u00e2tre de La Ville<\/a> \/ Th\u00e9\u00e2tre des Abbesses, Paris (FR)
\n02\/09\/2023<\/strong> NID Platform<\/a>, Teatro Massimo, Cagliari (IT)
\n13\/10\/2023<\/strong> Teatro Ventidio Basso, Ascoli Piceno (IT)
\n14\/12\/2023<\/strong> Teatro Manzoni<\/a>, Pistoia (IT)
\n12\/01\/2024<\/strong>\u00a0Teatro Menotti<\/a> \/ TSU \u2013 Teatro Stabile dell\u2019Umbria, Spoleto (IT)
\n16\/10\/2024<\/strong>\u00a0Teatro Sociale<\/a>, Trento (IT)
\nINFERNO a PEZZI (in pieces) #1 #2 #3 <\/em>\u2013 05\/10\/2025<\/strong>\u00a0Fabbrica Europa<\/a>, Firenze (IT)<\/p>\n<\/div>

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