{"id":3027,"date":"2008-09-09T18:00:53","date_gmt":"2008-09-09T16:00:53","guid":{"rendered":"https:\/\/www.aldesweb.org\/produzioni\/le-cose\/"},"modified":"2023-08-17T14:01:21","modified_gmt":"2023-08-17T12:01:21","slug":"le-cose","status":"publish","type":"avada_portfolio","link":"https:\/\/www.aldesweb.org\/en\/produzioni\/le-cose\/","title":{"rendered":"LE COSE"},"content":{"rendered":"

LE COSE<\/h2><\/div>

2008<\/h4><\/div><\/div><\/div><\/div><\/div>
\"LE<\/a><\/span><\/div>

LE COSE, di e con Stefano Questorio, foto ALDES<\/p>\n<\/div><\/div><\/div>

project by STEFANO QUESTORIO
\non stage STEFANO QUESTORIO
\noriginal music IGOR SCIAVOLINO, AAVV
\nproduction ALDES
\nwith the support of MIBACT – MINISTERO per i Beni e le Attivit\u00e0 Culturali e del turismo \/ Direz. Generale per lo spettacolo dal vivo, REGIONE TOSCANA \/ Sistema Regionale dello Spettacolo
\nlenght of performance 20 min.<\/p>\n<\/div>

\u201cLe Cose\u201d is a solo.
\nA solo is first of all a loneliness thrown in an emptiness.
\nAnd the emptiness reveals us something of life.
\nThe internal and external space fills itself with objects and speeches, attempts to stem a Horror vacui, and lastly we fill up with nothing. Things tame us. The hell of everyday life hides a trembling flesh, a frantic and confusing ordinary life that is just an escape from a typically human fragility.
\nEven pain holds something of brutally but tenderly absurd.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
\"Le<\/a><\/div><\/div>
\"Stefano<\/a><\/div><\/div>
\"Le<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div>
REVIEW<\/h5><\/div><\/div><\/div>

Giuseppe Distefano - Artribune - 02\/01\/2016<\/h2><\/a><\/div>
<\/div>
\n

\u201c[\u2026] IL CORPO FELINO. \u201cUn assolo \u00e8 innanzitutto una solitudine lanciata in un vuoto\u201d. Cos\u00ec Stefano Questorio presenta il suo Le cose, intendendo gli oggetti quotidiani che appartengono a ciascuno. In tre quadri distinti (Le cose, La Lumaca e I cani dentro) compie azioni che mettono in scena un vuoto riempito ossessivamente da oggetti che finiscono per prendere il sopravvento e governare chi le possiede.
\nSe il primo pezzo, molto teatrale, scorre velocissimo nel vestirsi e svestirsi accumulando ogni sorta di elementi \u2013 occhiali, telefonino, cappelli, giornali, spazzolini, patatine, parrucche ecc. \u2013 sui quali infine si adager\u00e0 esausto dalla ricerca di una sua precisa identit\u00e0, nel secondo un sapiente uso del corpo d\u00e0 forma a una lenta trasformarsi, adagiato e sempre di schiena, dalla posizione fetale a quella di lumaca col semplice articolare la schiena, le braccia e le mani, conferendo ai suoi movimenti una riconoscibile umanit\u00e0. Il terzo \u00e8 un intenso assolo in controluce, dove l\u2019articolarsi da fermo del corpo sull\u2019ansimare di una voce si tramuta in movimenti animaleschi sempre pi\u00f9 accelerati, che contengono scatti felini, di allerta, di attesa, di lotta, di paura, di difesa. Una forza e una fragilit\u00e0 tutta umana.[\u2026]\u201c<\/p>\n<\/div><\/div><\/div>

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