{"id":3014,"date":"2018-07-27T19:10:13","date_gmt":"2018-07-27T17:10:13","guid":{"rendered":"https:\/\/www.aldesweb.org\/produzioni\/carnet-erotico\/"},"modified":"2024-10-17T22:43:55","modified_gmt":"2024-10-17T20:43:55","slug":"carnet-erotico","status":"publish","type":"avada_portfolio","link":"https:\/\/www.aldesweb.org\/en\/produzioni\/carnet-erotico\/","title":{"rendered":"CARNET EROTICO"},"content":{"rendered":"

CARNET EROTICO<\/h2><\/div>

a collection of studies – 2018\/2024<\/h4><\/div><\/div><\/div><\/div><\/div>
\"CARNET<\/a><\/span><\/div>

“Carnet Erotico” di\/con Francesca Zaccaria, foto di Lorenzo Antei<\/p>\n<\/div><\/div><\/div>

next dates
\n<\/strong><\/em>27\/10\/2024<\/strong>\u00a0 Festival SVERGONAT* QEER, Andria (IT)
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a collection of studies <\/strong>
\nstarting from the smallest possible form laid on a blank surface<\/strong><\/p>\n<\/div>

idea, choreography, interpretation FRANCESCA ZACCARIA
\noriginal music ALESSANDRA RAVIZZA and EDMONDO ROMANO
\nnude costume EVA POLLIO, MARCO BOTTINO
\nlight design LEONARDO BADALASSI
\nstage design PAOLO MORELLI
\nlight ALDO MANTOVANI, ANDREA MARGAROLO
\nproduction ALDES
\nwith the support of\u00a0 MIBAC – MINISTERO per i Beni e le Attivit\u00e0 Culturali \/ Direz. Generale per lo spettacolo dal vivo, REGIONE TOSCANA \/ Sistema Regionale dello Spettacolo<\/p>\n<\/div>

Short or more composed creations,
\nauthorial wanderings between sensations and sense concerning the erotic.
\nThe image is a mediator,
\nstarting with the drawing, an indispensable premise which introduces and reveals a sort of map of the imagination which then approaches the material of representation, becoming
\ncreatures and characters.
\nThe body dresses itself in images, form dresses itself in other forms and imagination can “emancipate” itself.
\nThings thus reveal a dilated sense, at once subtle and fragile,
\nan alternative way of leading thought to the heart of a visual reflection on something prior to the phenomenal world itself.<\/p>\n<\/div>

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2013
\nThe very first studies began in 2016\/2017 then flowed, in final form, into the version of “CARNET EROTICO” presented at Festival Todi Off in 2018.
\nThe project now continues with a “second act of collection” – studio 2021
\nwith the first presentation at the Festival Fisiko 2021.
\n\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2013<\/p>\n

“secondo atto di raccolta” – work in progress <\/em><\/strong>(2021)<\/p>\n

Metamorphosis and amplitude are in progress and are as they are not, without personification.
\nDerivations of the theme, on the theme, without being the theme itself but rather, the collection of what has been transposed into the image, to arrive then, at the definition of a certain vibration that is more of the realm of the improbable, of movement.
\nA ‘super-reality’ gathers the being around its dreamer.
\nThings become images and these images speak to us, as if the meaning evoked were a form that carries with it its own entire background:
\nnot, therefore, like a painting that requires a frame to delimit and circumscribe it, if anything, on the contrary, like the face that blends into the background in certain impressionist canvases.
\nWhoever is being watched or believes himself to be being watched raises his eyes.
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photography Fabio Zanone
\nphotography and drawing Francesca Zaccaria<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Carnet<\/a><\/div><\/div>
\"Francesca<\/a><\/div><\/div>
\"CARNET<\/a><\/div><\/div>
\"Francesca<\/a><\/div><\/div>
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REVIEW<\/h5><\/div><\/div><\/div>

Marta Cristofanini - locacritica.com - 10\/12\/2019<\/h2><\/a><\/div>
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“…La sala Campana del Teatro della Tosse si addensa, trattiene il fiato; questa creatura dal femmineo richiamo \u00e8 voluttuosa, feroce, giusta: non vi \u00e8 nulla di esagerato o di stereotipato in questo carnet, in questa collezione di sketches disegnati con cura e con furia. La connessione con il proprio s\u00e9 \u00e8 forte e pura, non c’\u00e8 spazio per abbellire o diluire, tutto \u00e8 essenziale e profondo insieme…”<\/p>\n<\/div><\/div><\/div>

INFINITO FUTURO - TODI_N_3 - Matteo Gavotto - 29\/08\/2018<\/h2><\/a><\/div>
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“… Mi verrebbe da gridare al mostro dopo \u201cCarnet Erotico\u201d. Francesca Zaccaria \u00e8 maledettamente gentile quando si tratta di rispondere alle nostre domande. E la sua sincerit\u00e0 mette i brividi. La pelle d\u2019oca. Iniziata la performance, ti ipnotizza con la sua danza. Poi la poltrona ti rapisce. La bocca cede allo stupore (…) la danza prende connotati cinematografici, intrisa di campiture viscerali che ricordano la fotografia di Natasha Braier nella pellicola \u201cThe Neon Demon\u201d (201 6) e la psicologia incendiaria di Vittorio Storaro in \u201cApocalypse Now\u201d (1979). Il ritmo \u00e8 incessante …”<\/p>\n<\/div>\n<\/div><\/div><\/div>

(sul 1\u00b0 studio) - Lo Sguardo di Arlecchino - Giacomo Verde - 30\/12\/2016<\/h2><\/a><\/div>
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” […] Venti minuti che lasciano presagire una buona evoluzione in altri quadri, variazioni sul tema. Ma gi\u00e0 da queste prime idee si apprezza la felice scrittura coreografica dell’artista e la piacevole maturit\u00e0 della sua danza…”<\/p>\n<\/div>\n<\/div><\/div><\/div>

(sul 1\u00b0 studio) - Rumor(s)cena - Renzia D'Inc\u00e0 - 08\/01\/2017<\/h2><\/a><\/div>
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“[…] Francesca Zaccaria ci regala con raffinata intelligenza femminile, una ventina di minuti speciali…”<\/p>\n<\/div>\n<\/div><\/div><\/div>

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