1.0ALDES | SPAM!https://www.aldesweb.org/en/Alessandra Morettihttps://www.aldesweb.org/en/author/alessandramoretti/rich600338<blockquote class="wp-embedded-content" data-secret="f9zIVs2Vdy"><a href="https://www.aldesweb.org/en/the-fabliaux/">THE FABLIAUX</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.aldesweb.org/en/the-fabliaux/embed/#?secret=f9zIVs2Vdy" width="600" height="338" title="“THE FABLIAUX” — ALDES | SPAM!" data-secret="f9zIVs2Vdy" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.aldesweb.org/wp-includes/js/wp-embed.min.js </script> https://www.aldesweb.org/wp-content/uploads/2026/07/I-FABLIAUX_Ph_i-NUOVi-SCALZi-Troubleyn-Jan-Fabre-169_sito.jpg19201280THAT WAS ALL IT TOOK, STATION MASTER Ambra Senatore’s creations are instantly recognizable: they feature a constant interplay between the realms of reality and fiction—between which a playful discrepancy arises—and a profound, deeply human focus on relationships and everyday actions. Her dance is full of surprises, capable of connecting with the audience and penetrating the deepest recesses of the human soul. After numerous group projects, Ambra Senatore returns, with the interactive piece *Bastava farlo capostazione*, to the solo work that marked her debut as a choreographer: a performance dedicated to the Other, moving between improvisation and interaction with the audience.